A survey of the development of archaeology. The methods and techniques of archaeology are presented through an analysis of excavations and prehistoric remains. Materials studied range from the Bronze Age and classical civilizations of the Old World and the Aztec and Inca empires of the New World to the historical archaeology of New England. Students are introduced to techniques for reconstructing the past from material remains. The course includes a field trip to a neighboring archaeological site.

The identification of human remains for criminological and political purposes is widespread. This course explores issues in the identification and interpretation of human bones including methods for determining sex, age, stature, and ancestry as well as for identifying pathologies and anomalies. The course will pay particular attention to those anatomical elements, both soft tissue and bones, that aid in the reconstruction of individuals and their life history. In addition, the course explores search and recovery techniques, crime-scene analysis, the use of DNA in solving crimes, and the role of forensic anthropology in the investigation of mass fatalities from both accidents and human rights violations.

This course will introduce students to the anthropology of science and the use of anthropological methodology to study the making of science and technology. Through the analysis of case studies of biotechnology, energy, computing, lay and activist science, medicine, genetics, bioethics, the environment and conservation around the world, this class will investigate the global dynamics of science and technology. We will compare and contrast the production and use of scientific knowledge around the globe. What happens when science and technology travel and how do new places emerge as centers of knowledge production? How are culture, identity, technology, and science linked?

This course explores contemporary issues in Latin America from an anthropological perspective. We will discuss legacies of colonialism and Cold War power struggles, as well as the central role social movements are playing in crafting Latin American futures. We will trace the ways the region is enmeshed in transnational processes and migrations and analyze the intersection of culture, race, gender, and class in shaping urban centers, rural hinterlands, and livelihood strategies within them. In particular, we will discuss how ethnographic research – the long-term fieldwork conducted by anthropologists – can enrich our understanding of hotly debated issues such as statecraft, borders, and shifting meanings of citizenship; in/security, human rights, and democratization; and, illicit economies, extractive industries, and critical approaches to development.

How do we account for the many similarities and differences within and between human populations? Axes of human “difference”– sex, gender, race, class, sexuality, nationality – have profound consequences. These differences shape not only group affiliation and identity but have been shaped by colonial and national histories. They shape social structures such as socioeconomic status, professions, work mobility, as well as stereotypes about personal traits and behaviors. The biological sciences have been very important in the history of differences. Scientists have contributed to bolster claims that differences are determined by our biology – such as research on sex and racial differences, notions of the “gay” gene, math abilities, spatial ability etc. Conversely, scientists have also contributed to critiquing claims of difference – challenging the idea that sex, gender, race, sexuality are innate, and immutable. How do we weigh these claims and counterclaims? We will begin with a historical overview of biological studies on “difference” to trace the differing understandings of the “body” and the relationship of the body with identity, behavior and intellectual and social capacity. We will then examine contemporary knowledge on differences of sex, gender, race, class, and sexuality. Using literature from biology, anthropology, feminist studies, history and science studies, we will examine the biological and cultural contexts for our understanding of “difference.” How do we come to describe the human body as we do? What is good data? How do we “know” what we know? The course will give students the tools to analyze scientific studies, to understand the relationship of nature and culture, science and society, biology and politics.

From giant, immovable stone currency on the Pacific island of Yap to accumulating 'likes' on social media, we occupy a world of exchange where our everyday lives are mediated through the transfer of objects, ideas, and various forms of capital. This seminar examines the cross-cultural understanding of exchange from an anthropological perspective with particular attention paid to gift-giving, social and cultural capital, money, and the transmission of knowledge across space and time. Drawing on the work of Malinowski, Bourdieu, Marx, Mauss, Derrida and many other anthropologists and philosophers, we will unpack the hidden dimensions of taking, keeping and giving as key elements of culture.

This course will examine the evolutionary foundations of human variability. This theme is approached broadly from the perspectives of anatomy, paleontology, genetics, primatology, and ecology. For this purpose, the course will address the principles of human evolution, fossil evidence, behavior, and morphological characteristics of human and nonhuman primates. Explanation of the interrelationships between biological and sociobehavioral aspects of human evolution, such as the changing social role of sex, are discussed. In addition, human inter-population differences and environmental factors that account for these differences will be evaluated.

Ancient Greek historians associated the ruins of Bronze Age cities with the legends of the Trojan War, the lost city of Atlantis, and the labyrinth of the Minotaur. This course takes a more archaeological approach, combing the ruins for evidence that allow us to reconstruct complex societies that integrated contributions from diverse participants, including enslaved people and foreigners, as well as heroic adventurers. We will investigate the role of African and Asian cultures in early Greek state formation and collapse, technologies of art and writing, and religious traditions featuring a mother goddess. The course requires no background and offers an introduction to archaeological analysis as well as the cultures of the ancient Mediterranean.

This course introduces students to key analytic frameworks through which media and the mediation of culture have been examined. Using an anthropological approach, students will explore how media as representation and as cultural practice have been fundamental to the (trans)formation of modern sensibilities and social relations. We will examine various technologies of mediation-from the Maussian body as “Man's first technical instrument” to print capitalism, radio and cassette cultures, cinematic and televisual publics, war journalism, the digital revolution, and the political milieu of spin and public relations. Themes in this course include: media in the transformation of the senses; media in the production of cultural subjectivities and publics; and the social worlds and cultural logics of media institutions and sites of production.

What happens when we study music and sound from an anthropological framework? Ethnomusicology, or the cultural study of music and sound, seeks to do just that. Through a hands-on approach to music research, this course has three aims: 1) to give students the opportunity of doing ethnographic research in a local community; 2) to explore key concepts pertaining to ethnomusicology and the anthropology of sound; 3) to work together to create a good working atmosphere in which students can share ongoing research with each other. Students will gain experience doing fieldwork as participant observers; taking notes and writing up field journals; recording and transcribing interviews; and conducting secondary research online and in the library. Each student will conduct regular visits to a local music group or community of their choice. Past projects have focused on Senegalese drumming, musical healing circles, and hip-hop dance groups. The semester will culminate in a final presentation and paper (8-10 pages) based on the student’s research.

How can the complexities of Cultural Heritage be captured in digital form? Can advanced media visualizations, such as Augmented and Virtual Reality, give new insights on diverse global cultures? Can public dissemination of research using gamification positively impact our lives in the present? What ethical responsibilities do scholars have when digitizing material from ancient and contemporary communities? How can we ensure that our digital cultural achievements last as long as pyramids built in stone? This course will pair readings on the theory, practice, and ethics of visual and public digital humanities cultural heritage projects. Online archival resources for cultural heritage are at the forefront of developing public digital humanities. The digital archive resources used in class will be used to critique current trends in digital data capture and open access resources. The final project will be the creation of a new digital cultural heritage resource, presenting content created by students through a digital platform: an interactive archive, augmented or virtual reality, location-based games, or a combination thereof. Students will be offered a choice of visual and textual cultural heritage archive data from the Museum of Fine Arts Boston, UC Berkeley Hearst Museum of Anthropology, and the National Museum of Sudan, or can identify their own open-access cultural heritage archival source of interest.

This course introduces students to contemporary anthropology by tracing its historical development and its specific application in ethnographic writing. It examines the social context in which each selected model or "paradigm" took hold and the extent of cognitive sharing, by either intellectual borrowing or breakthrough. The development of contemporary theory will be examined both as internal to the discipline and as a response to changing intellectual climates and social milieu. The course will focus on each theory in action, as the theoretical principles and methods apply to ethnographic case studies.

What happens when we study music and sound from an anthropological framework? Ethnomusicology, or the cultural study of music and sound, seeks to do just that. Through a hands-on approach to music research, this course has three aims: 1) to give students the opportunity of doing ethnographic research in a local community; 2) to explore key concepts pertaining to ethnomusicology and the anthropology of sound; 3) to work together to create a good working atmosphere in which students can share ongoing research with each other. Students will gain experience doing fieldwork as participant observers; taking notes and writing up field journals; recording and transcribing interviews; and conducting secondary research online and in the library. Each student will conduct regular visits to a local music group or community of their choice. Past projects have focused on Senegalese drumming, musical healing circles, and hip-hop dance groups. The semester will culminate in a final presentation and paper (15 pages) based on the student’s research.