This course is designed to provide an immersion in the world of music to improve listening, reading, and general comprehension skills. The focus is on the fundamentals of music (notation, rhythm, melody, scales, chords, and formal plans) and listening examples will be drawn from a wide variety of genres, styles, and cultural traditions. Individual members of the academic faculty will visit regularly to introduce students to the rich diversity of approaches to the field of music. No prior musical knowledge is expected. Students may choose to take the Music Theory Placement Exam to see if they can exempt MUS 100 and go directly into MUS 200, MUS 201, MUS 202, MUS 122, or MUS 220. A musicianship lab supplements the three class meetings. May be counted toward the major or the minor.

Topic for Fall 2026: Expressing Race and Gender through New Music

This course takes its spark from recent global and on-campus conversations around race and anti-racism in relation to the arts, particularly music composed and created during the twentieth and twenty-first centuries. Students will become familiar with “canonical works” by (predominantly male, some female, and mostly white Euro-American) composers. However, the primary focus is on the creative achievements of under-represented composers and musicians identifying as Black, Latinx, East Asian, and Native American. This course inverts the balance by privileging the artistic accomplishments of composers and musicians who usually reside at the margins of “central” conversations. Our goal is to understand what the traditional category of “modernism and music” reveals about history and society from typically less represented cultural/racial/gendered perspectives. Students will undertake critical listening/viewing/reading assignments and reflect on live performances through writing.

This course offers a comprehensive chronological survey of the history and evolution of opera, from 1600 to the present. Lectures will examine historical background, the subgenres of operatic literature (opera seria, opera buffa, music drama), and complete operas by major composers representing a number of periods and styles (including Monteverdi, Mozart, Verdi, and Berg). We will also study librettos, relevant novels, and other source materials in order to establish connections between musical structure and dramatic expression. Two class meetings, with additional sessions required for viewing operas in their entirety.

"Popular music" denotes a variety of idioms-including R&B, rock, soul, funk, and hip-hop-linked to the youth culture and social movements that developed in the United States after World War II. With a foundation in African American genres (especially blues and gospel), popular music has also absorbed strong influences from rural white Protestant communities, Latin America, and Europe, and its sounds are indelibly linked to twentieth-century technologies (the electric guitar, multitrack recording, turntables). With an emphasis on the 1940s to the 1970s, our historical survey of American popular music will bring us from the 1800s to the present day. Using close listening as a starting point, we will learn how to decode sounds to reveal their complex social histories as we assess popular music's role in America's tumultuous twentieth century.

From the dawn of the 20th century, Brazil has promoted itself to the world as a particularly musical country. In addition to samba, the country is the birthplace of many well-loved genres including choro, bossa nova, and funk carioca. Brazilian popular song is considered by many to be a literary genre where songwriters such as Vinicius de Morais and Arnaldo Antunes describe themselves as poets and their lyrics are major topics of study by scholars of Portuguese literature. In this course, we will uncover the historical and cultural origins of many of the major musical developments in Brazil and explore how they express polemics around citizenship, social activism, and cosmopolitanism. Students familiar with Portuguese will have the option of additional, focused study of Portuguese lyrics and will be encouraged to compose their writing assignments in Portuguese.