This advanced-level class centers on the production and critique of individual film and video work, along with an ongoing schedule of screenings, readings, and discussions that investigate various positions from artists and directors on the dynamics of space on screen. Our focus will be on the construction of cinematic space as a formal and conceptual component of storytelling. Using poetry, film, and literature as guides to navigating both constructed and conceptual landscapes, student projects will oscillate between portraiture and social documentary. Formally, this class explores advanced strategies of image and sound manipulation, both technical and conceptual. It covers pre-production planning (storyboards and scripting), refinement of digital editing techniques, visual effects, post-production, as well as audio and sonic components. Students will develop semester-long video/film projects and will articulate their artistic process through a series of presentations and critiques over the semester.
Max Enrollment: 12
Prerequisites: ARTS 165/CAMS 135, ARTS 265/CAMS 235, and permission of the instructor.
Distribution Requirements: ARS - Visual Arts, Music, Theater, Film and Video
Typical Periods Offered: Spring
Semesters Offered this Academic Year: Spring